Wednesday, August 31, 2011

William and Marion: A story for children

William and Marion: A story for children Review


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Tuesday, August 30, 2011

Emma and her nurse, or, The History of Lady Harewood: And, The mother's grave

Emma and her nurse, or, The History of Lady Harewood: And, The mother's grave Review


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Emma and her nurse, or, The History of Lady Harewood: And, The mother's grave Feature

This is an OCR edition without illustrations or index. It may have numerous typos or missing text. However, purchasers can download a free scanned copy of the original rare book from the publisher's website (GeneralBooksClub.com). You can also preview excerpts of the book there. Purchasers are also entitled to a free trial membership in the General Books Club where they can select from more than a million books without charge. Original Published by: Houlston and Wright in 1866 in 123 pages; Subjects: Christian life; Nannies; Children and death; Motherless families; Friendship; Fathers and daughters; Family


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Monday, August 29, 2011

Amelia (Reward books / by Mrs. Sherwood)

Amelia (Reward books / by Mrs. Sherwood) Review


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Saturday, August 27, 2011

Agnes Selby: A story for children

Agnes Selby: A story for children Review


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Friday, August 26, 2011

Northanger Abbey: And Persuasion

Northanger Abbey: And Persuasion Review


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This is part of a complete set of Jane Austen's novels collating the editions published during the author's lifetime and previously unpublished manuscripts. The books are illustrated with 19th century plates and incorporate revisions by experts in the light of subsequent research. The set consists of "Pride and Prejudice", "Sense and Sensibility", "Mansfield Park", "Northanger Abbey" and "Persuasion", "Emma" and "Minor Works".


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Thursday, August 25, 2011

Choral Arrangements of the African-American Spirituals: Historical Overview and Annotated Listings (Music Reference Collection)

Choral Arrangements of the African-American Spirituals: Historical Overview and Annotated Listings (Music Reference Collection) Review


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Although the choral arrangements of the African-American spirituals constitute the largest group of folk song arrangements in western literature, they have received little scholarly attention. This book provides the needed historical and stylistic information about the spirituals and the arrangements. It traces the history and cultural roots of the genre through its inception and delineates the African and European characteristics common to the original folk songs and arrangements. Ensembles that have perpetuated the growth of the spiritual arrangements--from Fisk Jubilee Singers of the 1870s through those currently active--are chronicled as well. Musicians, choral directors, and scholars will welcome this first complete text on the African-American spiritual genre. Annotated listings of titles provide information choral directors need to make ensemble-appropriate performance choices. Arrangements indexed by title, arranger, and subject complement the accompanying biographies and repertoire information. Well-organized and thoroughly researched, this text is a valuable addition to music, choral, multicultural, and African-American libraries.


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Wednesday, August 24, 2011

Black Women Writing Autobiography: A Tradition Within a Tradition

Black Women Writing Autobiography: A Tradition Within a Tradition Review


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'As black American women, we are born into a mystic sisterhood, and we live our lives within a magic circle, a realm of shared language, reference, and allusion within the veil of our blackness and our femaleness. We have been as invisible to the dominant culture as rain; we have been knowers, but we have not been known'. Joanne Braxton argues for a redefinition of the genre of black American autobiography to include the images of women as well as their memoirs, reminiscences, diaries, and journals - as a corrective to both black and feminist literary criticism. Beginning with slave narratives and concluding with modern autobiography, she deals with individual works as representing stages in a continuum and situates these works in the context of other writings by both black and white writers. Braxton demonstrates that the criteria used to define the slave narrative genre are inadequate for analyzing Harriet 'Linda Brent' Jacobs' pseudonymously published "Incidents in the Life of a Slave Girl: Written by Herself" (1861). She examines 'sass' as a mode of women's discourse and a weapon of self-defense, and she introduces the 'outraged mother' as a parallel to the articulate hero archetype. Not even emancipation authorized black women to define themselves or address an audience. Late-nineteenth-century accounts in the form of confessional spiritual autobiographies, travelogue/adventure stories, and slave memoirs enabled such women as Jarena Lee, Rebecca Cox Jackson, Elizabeth Keckley, Susie King Taylor, as well as Harriet Tubman and Sojourner Truth to tell their own extraordinary stories and to shed light on the thousands of lives obscured by illiteracy and sexual and racial oppression. In her diaries, Charlotte Forten Grimke the gifted poet, epitomizes the problems faced by a well-educated, extremely articulate black woman attempting to find a public voice in America. Moving into the twentieth century, Braxton analyzes the memoir of Ida B. Wells, journalist and anti-lynching activist, and the work of Zora Neale Hurston and Era Bell Thompson. They represent the first generation of black female autobiographers who did not continually come into contact with former slaves and who transcended the essential struggle for survival that occupied earlier writings. For the contemporary black woman autobiographer, the quest for personal fulfillment is the central theme. Braxton concludes with Maya Angelou's "I Know Why the Caged Bird Sings" (1996), which represents the black woman of the 1960s who has found the place to recreate the self in her own image - the place all the others had been searching for. Author note: Joanne M. Braxton is Cummings Professor of American Studies and English at the College of William and Mary and author of Sometimes I think of Maryland, a collection of poems.


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Monday, August 22, 2011

Stepmonster: A New Look at Why Real Stepmothers Think, Feel, and Act the Way We Do

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A groundbreaking and truly stepmother-centered way of understanding the tensions that seem to define relations between women and their stepchildren

Half of all women in the United States will live with or marry a man with children. And what woman with stepchildren has not—in order to defuse the often overwhelming challenges of the role—referred to herself as a "stepmonster"?

As Hope Edelman does in her book for motherless daughters, Wednesday Martin’s empowering and original Stepmonster unlocks the emotional mysteries of why stepmothers think and feel and act the way they do. Martin draws upon her own experience as a stepmother, interviews with other stepmothers and stepchildren, and fascinating insights from literature, anthropology, psychology, and evolutionary biology to reveal the little-understood realities of this most demanding role.

Stepmonster illuminates the harrowing process of becoming a stepmother, considers the myths and realities of being married to a man with children, counteracts the cultural notion that stepmothers are solely responsible for the challenges they encounter, identifies the "Five Step-Dilemmas That Create Conflict," and considers the emotional and social challenges men with children face when they remarry.

Finally, in an unexpected twist, Martin shows why the myth of the Wicked Stepmother is our single best tool for understanding who real stepmothers are and how they feel. 


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Sunday, August 21, 2011

Eva Hesse: Longing, Belonging and Displacement (New Encounters: Arts, Cultures, Concepts)

Eva Hesse: Longing, Belonging and Displacement (New Encounters: Arts, Cultures, Concepts) Review


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Eva Hesse: Longing, Belonging and Displacement (New Encounters: Arts, Cultures, Concepts) Feature

Here is an important new examination of the work of American German Jewish artist Eva Hesse, one of the most significant figures in twentieth century art. Using exciting new feminist approaches, and beginning with a close focus on two key works, Corby reveals the way Hesse has been constructed as a "woman artist" and reveals the absent legacy of the Holocaust and refugee life in her art practice. Considering creativity and the feminine, trauma and historiography, and providing a fascinating reassessment of Hesse's relationship with her mother and its impact on her work, the book also confirms the importance of drawing practice within Eva Hesse's wider oeuvre.


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Saturday, August 20, 2011

Birth As a Healing Experience: The Emotional Journey of Pregnancy Through Postpartum

Birth As a Healing Experience: The Emotional Journey of Pregnancy Through Postpartum Review


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Birth as a Healing Experience: The Emotional Journey of Pregnancy Through Postpartum emphasizes and examines the emotional aspects of pregnancy and postpartum, presenting these periods as important opportunities for a woman's growth and healing from previous traumatic births or pregnancy losses. Midwives, childbirth educators, pregnant and postpartum women, women of childbearing age, and men will find that this book is unlike most others on pregnancy because it focuses on the healing potential in pregnancy, childbirth, and postpartum rather than on medical aspects. Women's stories illustrate how individuals deal with past experiences of grief and loss during pregnancy in a therapeutic setting.

Through Birth as a Healing Experience, you will discover a new model of childbirth preparation that empowers women and their partners for a fulfilling childbirth experience. You will also find that this essential book contains important information on supporting women during the postpartum period so you can provide the best services to your clients throughout the childbearing experience.

Addressing the importance of a woman's emotional well-being during the pregnancy and postpartum periods, the detailed case studies in this informative book will help you understand and learn from each topic. Birth as a Healing Experience offers you insightful discussions about:

  • the number of cesarean sections performed in the United States
  • the medical as well as psychological consequences of cesarean sections
  • the many benefits of vaginal birth after cesarean (VBAC)
  • guidelines for VBAC and for attaining a fulfilling childbirth experience
  • the effects of pregnancy and childbirth on the psychological development of women
  • the importance of healing from past birth traumas and/or the early death of a mother to have a satisfying pregnancy and motherhood experience

    From this vital guide, you will understand how such issues as a previous traumatic birth, miscarriage, or your own early mother loss can have an effect on your pregnancy and postpartum periods. Birth as a Healing Experience emphasizes honoring the childbirth experience and focuses on the power of women supporting women during pregnancy, childbirth, and postpartum. From this intelligent book, you will find unique stories that will enhance the childbearing experience for you and your clients.


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